DivX Clásico

The Third Man
(El tercer hombre / The 3rd Man)
(Gran Bretaña, 1949) [B/N, 104 / 93 m.].
Género: Cine negro, Thriller.
IMDb

Ficha técnica.
Dirección: Carol Reed.
Argumento: Graham Greene (novela).
Guión: Graham Greene / Alexander Korda, Orson Welles, Carol Reed (no acreditados).
Fotografía: Robert Krasker (B&W).
Música: Anton Karas (no acreditado).
Producción: Carol Reed, Hugh Perceval / Alexander Korda, David O. Selznick (no acreditados).
Productora: London Film Productions / British Lion Film Corporation.

Reunión en Viena.

La famosa novela de Graham Greene convertida en Obra Maestra del Cine. El escritor americano Holly Martins llega a Viena para encontrarse con su amigo Harry Lime, pero al llegar se entera de que Harry ha muerto atropellado por un camión.

La viena de posguerra sirve de escenario a una trama apasionante y sombría de intrigas políticas, corrupción y asesinatos. Carol Reed exprime la novela con gran sentido narrativo, subrayando la atmósfera de misterio a través de una fotografía proverbial. Geniales son los simbólicos diálogos entre el bien y el mal representados por los personajes. E inolvidables son la escenas de la persecución en las cloacas y el altivo caminar de Alida Valli al compás de cítara de Anton Karas (DeCine21).

AMG SYNOPSIS: In this Cold War spy classic, Holly Martins (Joseph Cotten), a third-rate American pulp novelist, arrives in postwar Vienna, where he has been promised a job by his old friend Harry Lime (Orson Welles). Upon his arrival, Martins discovers that Lime has been killed in a traffic accident, and that his funeral is taking place immediately. At the graveside, Martins meets outwardly affable Major Calloway (Trevor Howard) and actress Anna Schmidt (Alida Valli), who is weeping copiously. When Calloway tells Martins that the late Harry Lime was a thief and murderer, the loyal Martins is at first outraged. Gradually, he discovers not only that Calloway was right but also that the man lying in the coffin in the film's early scenes was not Harry Lime at all--and that Lime is still very much alive (he was the mysterious "third man" at the scene of the fatal accident). Thus the stage is set for the movie's famous climactic confrontation in the sewers of Vienna--and the even more famous final shot, in which Martins pays emotionally for doing "the right thing." Written by Graham Greene, The Third Man is an essential classic, made even more so by the insistent zither music of Anton Karas. The film is currently available in both an American and British release version; the American print, with an introduction by Joseph Cotten, is slightly shorter than the British version, which is narrated by director Carol Reed. Nominated for several Academy Awards, The Third Man won Best Cinematography for Robert Krasker. -- Hal Erickson

AMG REVIEW: Carol Reed's The Third Man is one of the odder successes among international films of the late 1940s: at a time when movies were supposedly getting dulled-down, in keeping with audience sensibilities, here was a quirky movie from England, with Hitchcock-like touches and an odd sense of humor, that manages to be grim, topical, and wryly witty, while retaining, even augmenting, a good bit of author Graham Greene's sensibility. For all the film's virtues, its making was a tale of compromises turned into inspiration. Producer Alexander Korda wanted Noël Coward to play the mysterious Harry Lime, but, once Orson Welles was cast in the part, the movie became a testament to his presence and impact; he's only on screen for about a quarter of the movie, but he's the actor that everyone remembers. In fact, Welles was off shooting another movie, reporting to The Third Man only late in the shooting, and he was doubled for many scenes: that was Carol Reed's assistant, future Goldfinger director Guy Hamilton, in the black trench coat running down Vienna's darkened streets, and those were director Reed's fingers reaching through the sewer grating at the chase's end. Recasting Joseph Cotten's Holly Martins as an American in turn allowed Greene to bring to the screen for the first time his antipathy toward Americans and their bright-eyed, bushy-tailed innocence in approaching the world's problems, a theme that would manifest itself even more directly in relation to Vietnam in The Quiet American. -- Bruce Eder

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Versión Criterion Re-Issue DVDRip VO+SE+AE 1,46 Gb.
Publicada por vigi en FH.

This is from the RE-Issue DVD. More info DVDBeaver

The.Third.Man.1949.Criterion.DVDRip.AC3.XviD-OS.iLUMiNADOS.avi

The.Third.Man.1949.Criterion.DVDRip.AC3.XviD-OS.iLUMiNADOS.Subs.rar

The.Third.Man.1949.Criterion.DVDRip.AC3.XviD-OS.iLUMiNADOS.ES.srt

   Release Date: 02/09/2008          
            Theater Date: 03/09/1949          
            DVD Date:     22/05/2007          
        
            Source:       Criterion DVD #64    Runtime: 105min 09s 
            Video Codec:  XviD 1.1.3 final     Video Bitrate: ~1785 kbps 
            Audio Codec:  AC3                  Audio Bitrate: 192kbps Mono 
            Interleave:   96/96ms              Subs: English
            Resolution:   608x448              Aspect Ratio: 1.33:1 
            Frame Rate:   23.976 fps           Size: 1 x 1490mb (1/3rd DVDR sized) 
            IMDb Rating:  8.5/10               Genre: Film-Noir / Mystery / Thriller
                                      
            Jawor's ZSM Matrix, B-VOP, No QPEL, No GMC, No P-BIT  

Capturas:

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Versión Criterion DVDRip VO+SE+AE 2cds.
Publicada FH.

The.Third.Man.(1949).CRiTERiON.FS.DVDRip.XviD-NewMov.CD1.avi

The.Third.Man.(1949).CRiTERiON.FS.DVDRip.XviD-NewMov.CD2.avi

Audio.Castellano.(The.Third.Man.1949.DVDRip.XviD.AC3-NewMov).by.lbo.mp3

Video
Duração cd1: 48:55 min
Duração cd2: 55:48 min
Codec: XviD
Bitrate: 1989/1736 Kbps
Resolução: 608x448
F.P.S.: 23.98 fps
R.imagem: 1.357 (4/3)

Audio
Codec: AC3 - channels 2 - 48.000Hz
Bitrate: 192Kb/s

Capturas:

The.Third.Man.1949.XviD.AC3.Princz.CD1.avi

The.Third.Man.1949.XviD.AC3.Princz.CD2.avi

Foratul escribió:Completado el audio. Gracias

cernickalo escribió:Sólo posteo para decir que el ripeo de NewMov lleva una de esas matrices Custom de moda. A mí me costó recodificarlo y tal.

roisiano escribió:

cernickalo escribió:Sólo posteo para decir que el ripeo de NewMov lleva una de esas matrices Custom de moda. A mí me costó recodificarlo y tal.

Hola:
¿Entonces no es compatible con reproductores de sobremesa, no?

cernickalo escribió:Con muchos de ellos, sí. Depende del chip que lleve tu aparato. Si es, p.ej., un Pioneer 575 o 380, o un Philips 720, etc... entonces no se verá bien.