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The Thief (1952)



A odd "gimmick" film noir. What is this gimmick might you ask? Well, it have no dialogue what so ever, just sounds.


iMDB
Ozus' World Movie Reviews


Infos

Release Date : 1952
Director : Russell Rouse
With : Ray Milland .... Allan Fields
Martin Gabel .... Mr. Bleek
Harry Bronson .... Harris
Rita Vale .... Miss Philips
Rex O'Malley .... Beal
Rita Gam .... The Girl
John McKutcheon .... Dr. Linstrum
Joe Conlin .... Walters

Review:

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face...

Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught.

The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence.

This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

Technical Specs

Size: 698 mb
Video : XviD
Audio : Mp3
Resolution : 560x416
Video Bitrate : 1053 kb/s
Audio Bitrate : 70 kb/s

Screenshots














Links:

The Movie
The.Thief.1952.DVDRip.XviD-ScrJ.avi

Subtítulos en Castellano

La peli tiene pocas fuentes, por lo que hay que tener paciencia. Existe otro ripeo, publicado en DXC, por Huginn. Os dejo unos datos. No hay capturas. Los subs, deberían servir para ambos ripeos, ya que parecen hechos de la misma copia.

Código: Seleccionar todo

=======
=Video=
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Codec --> DX50/divx
Resolución --> 480x352
BitRate --> 1043 kb/s (0.257 bits/pixel)
FPS --> 23.976
Duración --> 01:26:26
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=Audio=
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MP3 80 kb/s (40/ch, stereo) VBR 48000 Hz
Idioma: Ninguno

El.Espía.-.The.Thief.1952.DivX.DVDRip.avi

Saludos.