

Filmaffinity | IMDb
GUIÓN: Edward Boyd, Peter Yates, George Markstein
MÚSICA: Johnny Keating
FOTOGRAFÍA: Douglas Slocombe
REPARTO: Stanley Baker, James Booth, Frank Finlay, Joanna Pettet, Barry Foster, Clinton Greyn, Glynn Edwards, George Sewell, William Marlowe
PRODUCTORA: Paramount British Pictures
GÉNERO: Thriller | Robos & Atracos | Basado en hechos reales | Trenes
SINOPSIS: Dramatización de la verdadera historia del robo de 1963 del British Royal Mail. (FILMAFFINITY)
[quote]Following a successful diamond robbery in London, criminal mastermind Paul Clifton ( Stanley Baker ) decides to pull off the crime of the century - the theft of three million pounds from a train heading from Glasgow to London. He tries to join forces with other gangs, but they object to the money going to Switzerland. Clifton agrees to share it out on British soil, using a deserted aircraft hangar as hideout. A thief called Robinson ( Frank Finlay ) stupidly attempts to phone his wife during the robbery, and thus the police gain a valuable lead. As the law closes in, Clifton and his gang endeavor to make a getaway...
A fictionalised account of The Great Train Robbery of 1963, this Stanley Baker/Michael Deeley production benefits from taut direction by Peter Yates and a first-rate supporting cast. Alongside Baker, there are old reliables such as James Booth, Barry Foster, Frank Finlay, George Sewell and William Marlowe, with the beautiful Joanna Pettet thrown in to provide some glamour. As Clifton's long-suffering wife, she has little to do other than complain about her husband's prolonged absences from the bedroom on account of him forever being in prison.
The script by Edward Boyd, Peter Yates and George Markstein does not paint the main characters in any great detail, even Clifton himself ( based on Bruce Reynolds ) comes across as fairly one dimensional. His main nemesis is Inspector Langdon, and James Booth ( who had played 'Hook' in Baker's earlier 'Zulu' ), cast against type for a change, gives far and away the best performance.
The film opens with a thrilling robbery sequence culminating in a high-speed car chase through London. Its as exciting as you would expect from the future director of 'Bullitt'. Good music from Johnny Keating too.
'Robbery', though, is a curiously old fashioned piece which at times has the flavour of an I.T.C. show such as 'The Saint' ( and which Yates had contributed to ). It was made in 1967, the year that 'Bonnie & Clyde' and 'The Dirty Dozen' raised the bar for screen violence. The only real act of G.B.H. here is when the train driver is brutally coshed ( mirroring what happened to Jack Mills ). No nudity or bad language is on display. Its interesting to reflect that had it been made only a few years later it would have been very different. Look at 'Get Carter' and you will see what I mean.
For all its faults, this gripping crime film is well worth seeking out and is vastly superior to the over-sentimentalized 'Buster' starring Phil Collins.[/quote]
Gracias a suckmysound por el DVDR:
Ripeo anamórfico
Código: Seleccionar todo
Resolution: 716 x 574
Frame aspect ratio: 358:287 = 1.247386
Pixel aspect ratio: 763:716 = 1.065642
Display aspect ratio: 109:82 = 1.329268 (~4:3)
Código: Seleccionar todo
"C:\x264.exe" --preset veryslow --tune film --crf 19.0 --level 4.1 --output "C:\mi_ripeo.mkv" "C:\mi_script.avs" --sar 16:15






Código: Seleccionar todo
Format : Matroska
Format version : Version 2
File size : 2.36 GiB
Duration : 1h 49mn
Overall bit rate : 3 093 Kbps
Encoded date : UTC 2012-02-05 18:32:21
Writing application : mkvmerge v4.0.0 ('The Stars were mine') built on Jun 6 2010 16:18:42
Writing library : libebml v1.0.0 + libmatroska v1.0.0
Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : High@L4.1
Format settings, CABAC : Yes
Format settings, ReFrames : 16 frames
Codec ID : V_MPEG4/ISO/AVC
Duration : 1h 49mn
Bit rate : 2 840 Kbps
Width : 716 pixels
Height : 574 pixels
Display aspect ratio : 4:3
Original display aspect ratio : 4:3
Frame rate : 25.000 fps
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.276
Stream size : 2.17 GiB (92%)
Writing library : x264 core 120 r2164 da19765
Encoding settings : cabac=1 / ref=16 / deblock=1:-1:-1 / analyse=0x3:0x133 / me=umh / subme=10 / psy=1 / psy_rd=1.00:0.15 / mixed_ref=1 / me_range=24 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-3 / threads=6 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=8 / b_pyramid=2 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=2 / keyint=250 / keyint_min=25 / scenecut=40 / intra_refresh=0 / rc_lookahead=60 / rc=crf / mbtree=1 / crf=19.0 / qcomp=0.60 / qpmin=0 / qpmax=69 / qpstep=4 / ip_ratio=1.40 / aq=1:1.00
Language : English
Default : No
Forced : No
Audio
ID : 2
Format : AC-3
Format/Info : Audio Coding 3
Mode extension : CM (complete main)
Codec ID : A_AC3
Duration : 1h 49mn
Bit rate mode : Constant
Bit rate : 192 Kbps
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Compression mode : Lossy
Stream size : 150 MiB (6%)
Language : English
Default : No
Forced : No
Text
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Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
Language : English
Default : Yes
Forced : No

Los subtítulos en inglés son obra de ASweetA (muchas gracias), ligeramente corregidos y sincronizados para este ripeo.


Los subtítulos y el doblaje en español son resultado de la labor de mifune, de una copia VOSE aportada por aguadulce (muchas gracias a ambos, en especial a mifune). Agradecer también a santi estos enlaces.
Hay también enlaces disponibles en gigasize:
Audio sincronizado
http://www.gigasize.com/get/ojhvhcl4r5b
Subtítulos Esp sincronizados
http://www.gigasize.com/get/844wnh5nd9b
Subtítulos forzados para un par de frases que no estaban en la copia en español
http://www.gigasize.com/get/4v2x32lhr9d
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