
Taxi Driver
(Usa, 1976) [Color, 113 m.]
IMDb
Ficha técnica.
Dirección: Martin Scorsese.
Guión: Paul Schrader.
Fotografía: Michael Chapman.
Música: Bernard Herrmann.
Producción: Phillip M. Goldfarb, Julia Phillips, Michael Phillips
Productora: Bill/Phillips / Italo/Judeo Productions / Columbia Pictures Corporation.
Sinopsis: Para sobrellevar el insomnio crónico que sufre después de su regreso de Vietnam, Travis decide trabajar como taxista nocturno. Como individuo tiene poco contacto con la gente, pero observa la violencia y desolación en la que se hunde la ciudad de Nueva York. Travis anota en su diario todas sus impresiones, hasta que un día decide pasar a la acción. (FILMAFFINITY)
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Travis, un veterano de Vietnam que padece insomnio, consigue un trabajo como taxista nocturno en Nueva York. Así, mientras escupe su rabia y despliega un recital de emociones vehementes, el espectador acude atónito a la violenta síntesis de un ciudadano asqueado con el sistema, un sistema que provoca su paroxismo. Magistral y demoledora radiografía de la estresante y salvaje sociedad urbana. Todo un clásico del cine moderno. (Pablo Kurt: FILMAFFINITY)
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"Son muchas sus imágenes poderosas e inolvidables" (Antonio Albert: Cinemanía)
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"De Niro se mira al espejo y de un golpe de rabia... queda inaugurado el thriller llamado moderno" (Luis Martínez: Diario El País)
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"Scorsese, en uno de lo mejores trabajos de su larga e interesantísima filmografía, puso todo su saber al servicio de este aplaudido y controvertido drama de angustias colectivas y traumas imposibles" (Fernando Morales: Diario El País)
Premios: Cannes 1976, Palma de Oro.
AMG SYNOPSIS: "All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently "saving" teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind?
Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. -- Lucia Bozzola.
AMG REVIEW: "I'm God's lonely man," says Travis Bickle, played by Robert De Niro in one of his finest and most memorable performances. Travis, the protagonist and focal point of Taxi Driver, is severely out of his element in New York City, though it's hard to imagine where else he would fit in; he goes through life as if the world speaks a dialect unknown to him. He seems incapable of relating to anyone beyond superficial pleasantries or casual violence, and when he does attempt to reach out to others -- to beautiful campaign manager Betsy (Cybil Shepherd), to philosophical cabbie Wizard (Peter Boyle), or to teenage runaway-turned-prostitute Iris (Jodie Foster) -- he runs into a brick wall despite his best intentions, as he can't fully comprehend others and they can't fathom him. Screenwriter Paul Schrader and director Martin Scorsese place this isolated, potentially volatile man in New York City, depicted as a grimly stylized hell on Earth, where noise, filth, directionless rage, and dirty sex (both morally and literally) surround him at all turns. When Travis attempts to transform himself into an avenging angel who will "wash some of the real scum off the street," his murder spree follows a terrible and inevitable logic: he is a bomb built to explode, like the proverbial gun which, when produced in the first act, must go off in the third. While De Niro's masterful performance brings Travis to vivid life, it's Scorsese's dynamic, idiosyncratic visual storytelling (given an invaluable assist by cinematographer Michael Chapman) that provides the perfect narrative context. Capturing New York's underbelly with a palate of reds and yellows that burn with an evil glow, Scorsese fills the story with tiny details and offhand moments that form the fully rounded reality of Travis' fallen world. If De Niro produced one of film's most troubling portraits of a lost soul, Scorsese created a painfully vivid purgatory for him to live in, and, alongside Raging Bull, Taxi Driver marks the finest work of this actor/director team. -- Mark Deming.
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Versión DVDRip VO+SE 1,46 Gb.
Publicada por vigi en Fileheaven.
Enlace:Versión DVDRip VO+SE 1,46 Gb.
Publicada por vigi en Fileheaven.
Subtítulos (inglés, francés, castellano):
Subtítulos corregidos (descarga directa): castellano europeo / castellano americano / inglés.
(1) Subidos por shoocat para otra versión en 2 cds. Castellano europeo. Resincronizados.
(2) Subidos por frosklo. Castellano americano. Resincronizados y corregidos.
(3) Subidos por eselworx. Corregidos.
Datos técnicos:
Código: Seleccionar todo
Source: DVD Retail NTSC Runtime: 113min 47s
Video Codec: XviD 1.1.3 final Video Bitrate: ~1377 kbps
Audio Codec: AC3 Audio Bitrate: 448kbps 5.1ch
Interleave: 96/96ms Subs: English, French, Spanish
Resolution: 704x384 Aspect Ratio: 1.85:1
Frame Rate: 23.976 fps Size: 1 x 1490mb (1/3rd DVDR sized)
IMDb Rating: 8.6/10 Genre: Crime / Drama / Thriller
Jawor's ZSM Matrix, B-VOP, No QPEL, No GMC, No P-BIT
This is from the remastered 2007 2-disc CE.
DVDBeaver comparison: http://www.dvdbeaver.com/film/DVDReview ... review.htm
Capturas:






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Versión DVDRip VO+SPort 2,16 Gb + Extras.
Publicada por w666 en Fileheaven.
Enlace:Versión DVDRip VO+SPort 2,16 Gb + Extras.
Publicada por w666 en Fileheaven.
Subtítulos (portugués):
Datos técnicos:
Código: Seleccionar todo
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██ Size................: 2.16 GB ██
██ Video Length .......: 01:49:11 ██
██ Video Codec Code ...: XviD ██
██ Video Bitrate ......: 2408 kb/s ██
██ Resolution .........: 720x400 ██
██ Aspect Ratio .......: 1.80:1 ██
██ Framerate .......: 25.000 FPS ██
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Audio Codec Name ...: FAST Multimedia AG DVM (Dolby AC3)
Audio Bitrate ......: 192 kb/s (CBR)
Channels ...........: 2 Ch
Sampling Rate ......: 48000 Hz
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Subtitles...........: Portuguese
Extras..............: Making Taxi Driver (1999)
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Extras. DVDRip VO.
Making 'Taxi Driver'.
Laurent Bouzereau (Usa, 1999) [Color, 71 m.]. IMDb
Enlace:Extras. DVDRip VO.
Making 'Taxi Driver'.
Laurent Bouzereau (Usa, 1999) [Color, 71 m.]. IMDb
Datos técnicos
Código: Seleccionar todo
Runtime: 01:10:55
Resolution: 720x544
Aspect Ratio: 1.32:1
Video Codec: XviD
Video Bitrate: 2012 kb/s
Framerate: 25.000
Audio: 192 kb/s (96/ch, stereo) CBR AC3
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Otras versiones en DXC:Taxi Driver (Martin Scorsese,1976) DVDRip Dual
Taxi Driver (Martin Scorsese, 1976) HDRip VOSE
Making 'Taxi Driver' (Laurent Bouzereau, 1999) DVDRip VOSE
Saludos.