The Burglar (Paul Wendkos, 1957)
Filmaffinity | IMDb
GUIÓN: David Goodis (novela), David Goodis
MÚSICA: Sol Kaplan
FOTOGRAFÍA: Don Malkames
REPARTO: Dan Duryea, Jayne Mansfield, Martha Vickers, Peter Capell, Mickey Shaughnessy, Wendell K. Phillips, Phoebe Mackay, Stewart Bradley
PRODUCTORA: Columbia Pictures Corporation / Samson Productions
GÉNERO: Thriller | Drama
SINOPSIS: Nat Harbin (Dan Duryea) y sus compinches roban un collar muy elegante y luego se lo llevan en la fuga a Atlantic City. (FILMAFFINITY)
[quote]Author: goblinhairedguy from Montreal
This is one of those extravagantly stylized late-period noirs, one which palpitates with flamboyant cinematic technique. It belongs in the same club as those other exaggerated, self-consciously arty noirs of the late 50s/early 60s, like Touch of Evil, Kiss Me Deadly, Blast of Silence and Sam Fuller's contemporaneous contributions to the genre. Wendkos directs like a recent A+ film school graduate showing off every Hitchcock and Welles trick he's learned -- there are many stunning edits (he is also credited as the film's editor), several strikingly composed shots, and a suitably seedy background (the fact that the crooks' hideout is right next to a railway line full of speeding streamliners is a boon). At the same time, he toes the studio line of narrative clarity and cohesive action scenes enough to make this suitable viewing for the non-buff (one can see why he spent most of his years in television, but at the same time could dazzle with over-the-top effects in The Mephisto Waltz.) Fans of Atlantic City's Steel Pier are in for a treat in the film's climax (which owes a bit too much to The Lady from Shanghai) -- we even get to see the diving horse. But notably, we also see the soggy marshes that border the city and reflect the protagonists' own situational quagmire. It may not have the integrity of the more subtly devastating noirs of the Siodmak 40s, but it has its own postmodern tradition to uphold. [/quote]
sigloxx en KG:
T.B.1957.TVRip.XviD.KG.avi 
(TVRip V.O. "emulizado")
No tengo por costumbre interesarme (descargar, compartir) en TVRip's, pero este es de una calidad audiovisual más que aceptable (he visto unos cuantos DVDR/DVDRi's peores), y por eso he decidido compartirlo.
Sin subtítulos, que yo sepa.
Posiblemente en los 2-3 próximos días veáis que la descarga apenas avanza. Paciencia; en un plazo de tiempo "razonable" completaréis la descarga. Take it easy!
Filmaffinity | IMDb
GUIÓN: David Goodis (novela), David Goodis
MÚSICA: Sol Kaplan
FOTOGRAFÍA: Don Malkames
REPARTO: Dan Duryea, Jayne Mansfield, Martha Vickers, Peter Capell, Mickey Shaughnessy, Wendell K. Phillips, Phoebe Mackay, Stewart Bradley
PRODUCTORA: Columbia Pictures Corporation / Samson Productions
GÉNERO: Thriller | Drama
SINOPSIS: Nat Harbin (Dan Duryea) y sus compinches roban un collar muy elegante y luego se lo llevan en la fuga a Atlantic City. (FILMAFFINITY)
[quote]Author: goblinhairedguy from Montreal
This is one of those extravagantly stylized late-period noirs, one which palpitates with flamboyant cinematic technique. It belongs in the same club as those other exaggerated, self-consciously arty noirs of the late 50s/early 60s, like Touch of Evil, Kiss Me Deadly, Blast of Silence and Sam Fuller's contemporaneous contributions to the genre. Wendkos directs like a recent A+ film school graduate showing off every Hitchcock and Welles trick he's learned -- there are many stunning edits (he is also credited as the film's editor), several strikingly composed shots, and a suitably seedy background (the fact that the crooks' hideout is right next to a railway line full of speeding streamliners is a boon). At the same time, he toes the studio line of narrative clarity and cohesive action scenes enough to make this suitable viewing for the non-buff (one can see why he spent most of his years in television, but at the same time could dazzle with over-the-top effects in The Mephisto Waltz.) Fans of Atlantic City's Steel Pier are in for a treat in the film's climax (which owes a bit too much to The Lady from Shanghai) -- we even get to see the diving horse. But notably, we also see the soggy marshes that border the city and reflect the protagonists' own situational quagmire. It may not have the integrity of the more subtly devastating noirs of the Siodmak 40s, but it has its own postmodern tradition to uphold. [/quote]
sigloxx en KG:Código: Seleccionar todo
TVrip, NTSC, IVTC'd, No Subs, Greyscaled, GK output:
File Size (in bytes) ............................: 1,107,671,040 bytes
Runtime ............................................: 1:30:16
Video Codec ...................................: XviD 1.2.2
Frame Size ......................................: 624x352 (AR: 1.773)
FPS .................................................: 23.976
Video Bitrate ...................................: 1499 kb/s
Bits per Pixel ...................................: 0.285 bpp
B-VOP, N-VOP, QPel, GMC.............: [B-VOP], [], [], []
Audio Codec ...................................: 0x0055 MPEG-1 Layer 3
Sample Rate ...................................: 48000 Hz
Audio Bitrate ...................................: 128 kb/s [2 channel(s)] CBR
No. of audio streams .......................: 1No tengo por costumbre interesarme (descargar, compartir) en TVRip's, pero este es de una calidad audiovisual más que aceptable (he visto unos cuantos DVDR/DVDRi's peores), y por eso he decidido compartirlo.
Sin subtítulos, que yo sepa.
Posiblemente en los 2-3 próximos días veáis que la descarga apenas avanza. Paciencia; en un plazo de tiempo "razonable" completaréis la descarga. Take it easy!